***The Starry-Eyed Revue***: jaclyn dolamore

Title: Dark Metropolis
Author: Jaclyn Dolamore
Series: Dark Metropolis, book #1
Publisher: Disney-Hyperion
Publication Date: June 17, 2014
Source: ARC received from publisher
Purchase: Amazon | Barnes & Noble

Cabaret meets Cassandra Clare-a haunting magical thriller set in a riveting 1930s-esque world.

Sixteen-year-old Thea Holder's mother is cursed with a spell that's driving her mad, and whenever they touch, Thea is chilled by the magic, too. With no one else to contribute, Thea must make a living for both of them in a sinister city, where danger lurks and greed rules.

Thea spends her nights waitressing at the decadent Telephone Club attending to the glitzy clientele. But when her best friend, Nan, vanishes, Thea is compelled to find her. She meets Freddy, a young, magnetic patron at the club, and he agrees to help her uncover the city's secrets-even while he hides secrets of his own.

Together, they find a whole new side of the city. Unrest is brewing behind closed doors as whispers of a gruesome magic spread. And if they're not careful, the heartless masterminds behind the growing disappearances will be after them, too.

Perfect for fans of Cassandra Clare, this is a chilling thriller with a touch of magic where the dead don't always seem to stay that way.

I was hoping that the story behind that gorgeous cover would be equally enchanting, full of the revelry I've come to associate with the Roaring 20s. What I got instead was a story of necromancy, debauchery, and revolution. Not that I'm complaining...the story as a whole is quite intriguing.

Dark Metropolis was a much darker read than I had been expecting. That might come as a shock to you considering the word "dark" is right there in the title, but as I said, I was hoping for more decadence, less dead things. I was also hoping for a bit more world-building. I had read in a couple of places that the setting was based on Berlin in the 1920s, that period between the World Wars, and the war-torn vibe was there on the pages especially toward the end of the book, but it never felt like we were in Germany. Maybe I just don't know very much about Germany during that period -- or even now -- but I needed more from the setting. It also would have been nice to understand the Valkenrath brothers and their plan to utilize Freddy to help the country survive the aftermath of the war.

It felt as if this book began as Thea's story but quickly morphed into Freddy and Nan's story, with Thea included as just a bit player until nearly the end. And it's probably for this reason that I never felt very connected to any one character. I don't mind a switch in perspective in the narrative, especially when it makes sense to do so -- as in this story -- but before the transition, I'd like to connect to the last person whose head I was just in. The closest I came to this was with Thea in the first 50 pages or so, before it felt like she was ripped away from me in favor of Freddy's story. I suppose this sort of parallels how the families of the undead in this story probably felt, but I'm not inclined to appreciate that possibility right now.

The three main characters were great in their own right, though. Each was honorable, strong, and rose to the challenge set before them. Thea is the demure girl just trying to make her way as a plucky Telephone Club waitress while also taking care of her mother, who is ill due to a magic spell binding her to her missing husband. On the outside, Nan is Thea's closest friend and fellow Telephone Club waitress. On the inside, she is empty and unfeeling...until she solves the mystery of her special gift. And rounding out this trio, we have silver-haired Freddy, who has more control over life and death than he ever thought possible. Together, these three seek to put an end to the injustices being forced upon their friends and family.

I respect the author's inclusion of two very different romances in this story but also the fact that she didn't allow them to saturate the plot. They were very subtle, and I quite liked that. Also, yay for diversity! Even if that's another aspect that I would like to see expanded further. Not sure how many books will follow this first one, but I'm sure we'll see more of these two couples in the sequel -- and see if their love can withstand.

The thing that disappointed me most about this story, though, was probably how neat and tidy the ending was. I never wish for a cliffhanger, but I at least want to be intrigued enough to return for a sequel, and I'm not sure I'm at that point after finishing Dark Metropolis. Overall, it was an enjoyable read, atmospheric and equal parts gory and enchanting, but there was just something missing.

GIF it to me straight:

It started off well enough, but the book lost its stride somewhere along the way.

About the author:

Jaclyn Dolamore was homeschooled in a hippie sort of way and spent her childhood reading as many books as her skinny nerd-body could lug from the library and playing elaborate pretend games with her sister Kate. She skipped college and spent eight years drudging through retail jobs, developing her thrifty cooking skills and pursuing a lifelong writing dream. She has a passion for history, thrift stores, vintage dresses, David Bowie, drawing, and organic food. She lives with her partner and plot-sounding-board, Dade, and two black tabbies who have ruined her carpeting.

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