***The Starry-Eyed Revue***: boxed sets

I love staring at rows and rows of books. I like the smell of said books. I love rearranging, organizing, alphabetizing, color-coding, etc. My love of all things related to books led me to a new feature wherein we discuss said appreciation for books and the shelves they sit upon.

Mostly, this post came about because I was cleaning up my shelves and Katie's because we finally combined all of our books into what we've now deemed "The Book Room". Yes, I've finally agreed to share shelf space with my kiddo's book collection, which is soon going to rival my own. =)

At the last big sale we went to at Half Price Books, we picked up boxed sets of the last six or so Lemony Snicket books in order to complete the Series of Unfortunate Events for Katie. She's not quite old enough to read them on her own yet, but we both enjoyed the movie based on the books, so we thought we could read them together. Anyway, now that her collection is complete, I wasn't sure what to do with the boxed sets because we bought used copies of the earlier books in the series for like a buck a piece from HPB. And I am all about uniformity on my shelves...and apparently Katie's.

When I buy a boxed set, it's not because I like them. It's because I've probably read one book in the series already -- bought in paperback most likely -- but decided I liked it enough to read the whole series and boxed sets usually come at a discount...or I had a coupon that I could use for a massive discount on it. This was back when I first got back into reading and bought boxed sets of the Twilight saga, The Hunger Games trilogy, etc., and Borders was still open and had those awesome 40% off coupons monthly.

The point of this post, though, is what you do with your boxed sets. (I know, I know...took me a really roundabout way to get here, but it is what it is.) I rarely buy boxed sets these days because I usually read a series as each book is released. But, when I did buy them, I'd take the books out of the pretty box, chunk it in the trash, and put the books straight on my shelves. I know I'm probably in the minority on this because what's the point of buying the nice, prettily packaged boxed set otherwise, right? But as I said, I like uniformity. Just as I like all of my covers to match and to have all the books in a series in the same format, I like my shelves to match. And a box, no matter how pretty or special, sticks out like a sore thumb to me.

So, despite the fact that my husband thought the Lemony Snicket boxed sets looked fine on the shelf as they were, I took those books out and threw the boxes away. For one thing, her shelves are just the right size for all thirteen books without the boxes. But also, there's that whole "sameness" factor. It just looks better to me:

What's your stance on boxed sets? Uniformity or let it be? ;0)

Labels: boxed sets, discussion, lets talk shelfies

From the American Library Association's website: "Banned Books Week (BBW) is an annual event celebrating the freedom to read and the importance of the First Amendment. Held during the last week of September, Banned Books Week highlights the benefits of free and open access to information while drawing attention to the harms of censorship by spotlighting actual or attempted bannings of books across the United States.

Intellectual freedom—the freedom to access information and express ideas, even if the information and ideas might be considered unorthodox or unpopular—provides the foundation for Banned Books Week. BBW stresses the importance of ensuring the availability of unorthodox or unpopular viewpoints for all who wish to read and access them.

The books featured during Banned Books Week have been targets of attempted bannings. Fortunately, while some books were banned or restricted, in a majority of cases the books were not banned, all thanks to the efforts of librarians, teachers, booksellers, and members of the community to retain the books in the library collections. Imagine how many more books might be challenged—and possibly banned or restricted—if librarians, teachers, and booksellers across the country did not use Banned Books Week each year to teach the importance of our First Amendment rights and the power of literature, and to draw attention to the danger that exists when restraints are imposed on the availability of information in a free society."

It's amazing to me just how many great literary works have been banned over the years (including To Kill a Mockingbird...one of the greatest books ever written) and the reasons listed for the bannings. Even some more recent favorites have made the list, including Harry Potter and The Hunger Games. One of my favorite series ever --His Dark Materials by Philip Pullman -- last made the list back in 2008 due to political viewpoint, religious viewpoint, and violence.

I disagree with the inclusion of any and all of the books on that list, but especially this series. And so I'm going to give you guys the freedom to read it, to like it or hate it....just don't tell me if you hate it. I'll be crushed. :0(

Published in 40 countries, Philip Pullman’s His Dark Materials trilogy – The Golden Compass, The Subtle Knife, and The Amber Spyglass – has graced the New York Times, Wall Street Journal, San Francisco Chronicle, Book Sense, and Publishers Weekly bestseller lists.

The Golden Compass forms the first part of a story in three volumes. The first volume is set in a world like ours, but different in many ways. The second volume is set partly in the world we know. The third moves between many worlds.

In The Golden Compass, readers meet 11-year-old Lyra Belacqua, a precocious orphan growing up within the precincts of Jordan College in Oxford, England. It quickly becomes clear that Lyra's Oxford is not precisely like our own—nor is her world. In Lyra's world, everyone has a personal dæmon, a lifelong animal familiar. This is a world in which science, theology and magic are closely intertwined.

The Subtle Knife is the second part of the trilogy that began with The Golden Compass. That first book was set in a world like ours, but different. This book begins in our own world.

In The Subtle Knife, readers are introduced to Will Parry, a young boy living in modern-day Oxford, England. Will is only twelve years old, but he bears the responsibilities of an adult. Following the disappearance of his explorer-father, John Parry, during an expedition in the North, Will became parent, provider and protector to his frail, confused mother. And it's in protecting her that he becomes a murderer, too: he accidentally kills a man who breaks into their home to steal valuable letters written by John Parry. After placing his mother in the care of a kind friend, Will takes those letters and sets off to discover the truth about his father.

The Amber Spyglass brings the intrigue of The Golden Compass and The Subtle Knife to a heartstopping close, marking the third and final volume as the most powerful of the trilogy. Along with the return of Lyra, Will, Mrs. Coulter, Lord Asriel, Dr. Mary Malone, and Iorek Byrnison the armored bear, The Amber Spyglass introduces a host of new characters: the Mulefa, mysterious wheeled creatures with the power to see Dust; Gallivespian Lord Roke, a hand-high spy-master to Lord Asriel; and Metatron, a fierce and mighty angel. And this final volume brings startling revelations, too: the painful price Lyra must pay to walk through the land of the dead, the haunting power of Dr. Malone's amber spyglass, and the names of who will live—and who will die—for love. And all the while, war rages with the Kingdom of Heaven, a brutal battle that—in its shocking outcome—will reveal the secret of Dust.

These Yearling paperback editions each contain bonus material: the found papers, notes, and other archival material of Lord Asriel, Dr. Stanislaus Grumman, and Mary Malone. They also feature chapter-opening artwork by Philip Pullman.

And now I must find the time to fit in a re-read. =D

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